Who Is Watching is a photographic series about the gaze, staging, and self-assertion. The five images show the same figure in different poses: at times sensual and ambivalent, at times challenging and self-possessed. Latex, a cat mask, high heels, and the props — a white chess piece, a camera, worn furniture — function as visual codes. Red lip colour, blood — smeared — forms a sharp contrast to the dark visual world and points to vulnerability as much as to staging. What matters: the figure remains present in the image throughout; rather than disappearing, she shifts the perspective — she turns the gaze around, thereby challenging the role of the viewer and displacing the balance of power.
The series asks how identity is constructed through clothing, gestures, and objects, and how quickly attribution turns into judgment. Technically, the works are realised as controlled studio shots with a deliberately reduced palette and precise lighting. Formally, the project sits at the intersection of fashion, portrait, and conceptual photography. Who Is Watching invites collectors, curators, and viewers to reflect on voyeurism, self-staging, and the mechanics of seeing. Editions, print formats, and framing options are arranged individually.
Standing behind the chair, the invitation begins. Not to someone else, but to myself.
The camera is pointed at me — but the question remains open. Who is watching whom here, really?
The chess piece stands in the room like a small decision. Play and counterplay are no longer easy to separate.
The blood marks the point where everything shifts. Who hurt whom, who carries the trace, who remains standing in the end?
I lick my leg, not out of lack, but out of self-sufficiency. I am content with myself. I don’t need anyone.
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